THE GREAT CHRISTMAS KNIT-OFF
Alexandra Brown
Releasing Oct 13th, 2015
Harper Collins
The perfect seasonal tale of how
laughter, friends and wacky Christmas sweaters can mend a broken heart.
Heartbroken after being jilted at
the altar, Sybil has been saved from despair by her knitting obsession and now
her home is filled to bursting with tea cozies, beanies, and sweaters. But,
after discovering that she may have perpetrated the screw-up of the century at
work, Sybil decides to make a hasty exit and, just weeks before Christmas, runs
away to the picturesque village of Tindledale.
There, Sybil discovers Hettie’s
House of Haberdashery, an emporium dedicated to the world of knitting and
needle craft. But Hettie, the outspoken octogenarian owner, is struggling and
now the shop is due for closure. And when Hettie decides that Sybil’s
wonderfully wacky Christmas sweaters are just the thing to add a bit of
excitement to her window display, something miraculous starts to happen…
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PROLOGUE
Hettie
Honey picked up a lovely lavender lace weight that a customer had abandoned by
the till after pondering for what seemed like an eternity that, actually, it
wasn’t the right shade of lavender after all. She then walked across the shop
floor of her House of Haberdashery to repatriate the ball into its rightful
place—a wooden, floor-to-ceiling cabinet comprising twenty-four cubbyholes
inset over three shelves crammed with every color, ply and type of yarn
imaginable. Hettie smiled wryly, remembering the program she had listened to on
the radio not so long ago. Knitting! It was all the rage nowadays and she hoped
it would finally catch on in Tindledale, her beloved picture-postcard village
and Hettie’s home for the eighty-three years of her life to date. She ran the
timber-framed, double-fronted shop adjacent to the wisteria-clad roundel of the
oast house her father had built before she was even born.
Hettie lifted the tray on
which sat the last remnants of her afternoon tea; a cheese sandwich minus the
crusts because her teeth weren’t as strong as they used to be plus a pot of tea
and a pink iced finger that had only cost ten pence on account of being past
its best. Kitty, in the tearoom up on the High Street, had tried to give her
the bun for free, but Hettie hated taking charity, especially when she felt
there were other people in far more need. Hettie moved to the back of the shop,
swept the curtain aside and went through to the little kitchenette area. Years
ago this had been her mother’s sewing room, and the wooden Singer machine with
its rickety foot pedal still lived there, with a multitude of multicolored
bobbins all piled up high on the shelf behind it.
After
placing the tray on the draining board next to the age-veined Belfast sink and
carefully wrapping the crusts in plastic to dunk into her warming homemade soup
the following afternoon, Hettie picked up the picture frame on the mantelpiece
above the fi re and ran a finger over the faded black-and-white autographed
photo. She allowed herself an enormous sigh. She wasn’t usually one for
self-pity or hand-wringing, but another one of the letters had come this
morning, with FINAL DEMAND stamped across the top in ugly red type. Business
had been so slow these past couple of years, and now, with her dwindling
savings and pittance of a pension, she had come to realize that it was going to
take a darn miracle this Christmas for Hettie’s House of Haberdashery to remain
afloat come the new year.
There
had been talk of retirement; of closing down the House of Haberdashery; of
putting her feet up and going “into a home.” Hettie’s nephew, her brother
Harold’s son and last of the Honey family line, was all for it. On one of his
rare visits, on the pretext of seeing how she was, he’d told Hettie he was
concerned about her living on her own, that she needed the rest and that “it’s
not like you’ve got that many customers these days, is it?” He said he’d
make sure she had her own bedroom or at the very least, a twin sharer. “And
besides, it might be nice for her to have the company of people her own age.”
He’d put forward a strong case and had already contacted the council to inquire
about a suitable place. But Hettie wasn’t losing her marbles and she knew that
what he was really after was to bulldoze her beloved home—the oast house
surrounded by a meadow of pretty wild flowers, and the place where she grew up.
There’s her cozy bedroom suite, set upstairs in the roundel with its
magnificent view of the valley, the lovely farmhouse kitchen with the walk-in
pantry, the sunroom, the snug—it’s got the lot, and that’s on top of all her
memories wrapped within its circular walls. Not to mention her beloved little
shop, right next door, crammed full of all her favorite knitting and
needlecraft goodies.
Then
he’d be able to get his hands on the land for one of his building projects.
He’d told her all about the one with ample parking and plastic windows that his
company had created in the town where he lived, over fifty miles away.
Seventeen months it had taken, he’d said, to fight all the objections from the
local residents’ association, and he had puffed on about it for the entire hour
of that tedious visit. But Hettie isn’t ready to be written off; to be carted
away to an old people’s home like a nag to a glue factory, not when there is
plenty of life still left in her sprightly body. Besides, “going into a home”
would mean leaving Tindledale behind, and Hettie knows more than anything that
this is where her heart belongs. It always has, even when she’d had the chance
of a different life, far, far away.
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THE GREAT CHRISTMAS KNIT-OFF
Alexandra Brown began her writing
career as the City Girl columnist for The London Paper - a satirical diary
account of her time working in the corporate world of London. Alex wrote the
weekly column for two years before giving it up to concentrate on writing
novels and is now the author of the Carrington’s books. Set in a department
store in the pretty seaside town of Mulberry-On-Sea, the series follows the
life, loves and laughs of sales assistant, Georgie Hart. The Great Christmas
Knit Off is Alex’s fourth book and is the first in a new series set in the
fictional village of Tindledale, following the lives of all the characters
there.
Alex lives in a real village near the
south coast of England, with her husband, daughter and a very shiny black
Labrador.
This looks like a great little treat for myself over the holidays.
ReplyDeleteThank you for hosting today! ~gaele (for Lisa)
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