Every Time with a Highlander
Sirens of the Scottish, #3
Author: Gwyn Cready
Pubdate: August 2nd 2016
ISBN: 9781492601999
Third in
the Sirens of the Scottish Borderlands series from Gwyn Cready, the “master of
time travel romance” (Booklist)
She can
work her magic on any man
In a quest to bring peace to
her beloved Scottish borderlands, fortune-teller and spy Undine Douglas agrees
to marry a savage English colonel. Desperate to delay the wedding long enough
to undermine the army’s plans, Undine casts a spell to summon help and
unexpectedly finds herself under the imperious gaze of the handsome and
talented Michael Kent, twenty-first century British theater director.
But in
this production, he commands the action
Though he abandoned acting
years ago, Michael will play whatever part it takes to guard Undine’s
safety—he’s used to managing London’s egocentric actors and high-handed
patrons, after all. But not even Shakespeare could have foreseen the sparks
that fly when the colonel’s plans force Undine and Michael into the roles of
their lifetimes.
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An Excerpt:
The blinding lights were on, he thought,
blinking, but he was no longer sure how long he’d been onstage. Seconds? The
set had changed—he’d have to speak to Eve, though he felt rather woozy, as if
he’d left her a few hours ago and been drinking ever since. What was the
stained glass doing in the back? Who’d authorized such an expense?
Someone cleared his throat, and Michael
wheeled around, searching for his line.
But it wasn’t Paris nor Romeo nor even
Juliet or Eve. It was an actor in a tawny frock coat with a waterfall of lace
at his neck—he must speak to the costume manager as well—and the theater was
empty.
Well, another theater perhaps, not the
National Rose. One with hand-carved pews and an enormous painting of Henry VIII
beyond its door.
The spiking adrenaline of missed cues
and forgotten lines had nothing on finding oneself sucked out of a play into an
unknown room with an unknown man. Sweat began to form on Michael’s back, and
his mouth moved in an incoherent attempt to speak.
“I beg your pardon,” the man said,
mildly incensed. “I asked you where Bishop Rothwell went.”
“I told you, John,” said a woman
Michael hadn’t noticed. “He was called away.”
She stood apart from the man, arms
crossed, in a gown of ethereal pink. Her words had been accompanied by a laser
look at Michael that would have reduced the Greenland ice cap to a large cup of
steaming tea.
Why were these people dressed for
Shakespeare—or Congreve, really—yet nothing from their mouths rung of any play
he’d ever seen? His gut began to tighten.
“Called away?” the man she’d called
John said. “For what?”
“An emergency in the bishopric.” The
“-pric” lingered on the woman’s tongue a second longer than necessary, though
this time the look that accompanied it was for her companion.
She was beautiful—stunning,
really—with hair like wet gold and eyes that shone an emerald green, but
everything about her carriage and voice carried the expectation of being
obeyed. In the instant Michael could spare to process the players rather than
his own uncertain circumstances, he could see John might be an overbearing prig
but the woman was flat-out trouble.
“And this…cleric?” John looked at
Michael’s habit with poorly concealed distaste.
“The bishop’s colleague,” she said.
“An ascetic, it seems.”
The two clearly weren’t actors—though
they were nearly as irritating—and this wasn’t a set. Somehow, between stepping
onstage and the lights going up, Michael had lost the National Rose. What had
happened? The closest he’d ever gotten to feeling what he felt now was playing
Jack in The Importance of Being Earnest, when the actor
playing Algernon jumped twenty-seven pages ahead, leaving Michael thrust
unexpectedly into Act Three’s happy engagement to Gwendolen with all the play’s
loose ends resolved, hoping in earnest for the curtain. At least Michael had
known what theater he’d been in then—and what play.
“Is he capable of marrying us?” John
asked, dubious.
“I should think so,” she said. “It’s
woven into the burlap.”
In a remote place in his head, at a
distance from the panic that had seized control of his cerebellum, the
amusement in her words cut him. He may not be the most rehearsed Friar Laurence
who ever walked the stage, but that was certainly no reason to impugn the
character’s inner nobility.
“Then let him do it.” John’s
exasperation was growing. “You’re still willing, aren’t you, my love? Even
without a proper bishop?”
“Most willing.” She smiled sweetly,
but Michael saw the falsehood even if her fiancé did not. “Are we not in need
of witnesses, though?” she added.
John growled. “They were behind me a
moment ago. Let me find them. I’ll be but a moment.” He strode out.
Perhaps this was a dream—a dream
conflating all the Shakespeare and Farquhar and Marlowe that Michael had ever
done—with a generous helping of Wicked thrown in for good
measure. Then it came to him. The potion.
He willed his fingers open and looked
at his quaking palm.
A hand snatched the empty bottle away.
“Wake up,” the
woman said in a razor-sharp whisper, and now he realized
the voice he’d heard had been hers. “Listen carefully. I called you here for
one reason. Keep that blackguard from marrying me or I shall shrivel your man
parts like dates in the Barbary sun.” She stashed the bottle in her bodice and
turned, smiling, to greet her fiancé as he returned with two footmen straight
out of Molière.
Michael felt as if a blast furnace had
scorched him from brows to sandals. He also felt his indignation grow. No one threatened Michael’s man parts, certainly not in a
theater—even if this wasn’t exactly a theater or a play…or even a space he
remotely recognized.
“Are you ready?” John said.
Michael held up a finger. “Actually,
I’m not.”
He felt rather than heard the woman’s
exhale of relief.
“Your fiancée was just telling me how
truly eager she is to begin life as your wife,” Michael said. “However, she has
made me aware of a few, well, shall we say blemishes upon her conscience, and I
know she wishes to unburden herself before the happy marriage is consummated.”
John blinked. “Undine…my
fiancée…wishes to confess?”
Undine, was it? Like the water fairy
in Giraudoux’s play? More like Ursula in The Little Mermaid.
“I most certainly do not,” she said,
eyes flashing.
“No?” Michael shrugged. “Well then,
let us proceed apace with the ceremony. Good sir, do you have the Book of
Common Prayer?”
“Wait,” Undine said.
Michael turned, triumphant. “Aye?”
“I might have something to confess
after all,” she said with an iron glare.
“Ahh,” Michael said, hand over his heart,
“the heart wishes to forget, but the soul demands its redemption. Aye, let us
retreat to a private place, where you can unburden yourself of everything—everything—that I and the Lord need to know.”
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Top
Five Time Travel Romance Movies, According to Gwyn Cready
Okay, brace yourself. This list does not include Somewhere
in Time. Hurl your spitballs if you must, but it doesn’t make the top five
time travel romance movies—at least not my top five. Now, let’s pick the
fragments out of our hair from that bombshell and move on to the qualities a
good time travel romance movie must possess in my world. First, time “travel”
is a little too precise. I’m just as happy with a movie that fiddles around
with time. Second, one or both protagonists have to undergo a transition in
order to be worthy of love. Third, the protagonists have to work to overcome
what time has done to them, not just be battered around by it. I want my
protagonists to be fighters. And fourth, there has to be love and lots of it.
5. Time Traveler’s Wife
(Robert Schwentke, 2009.)
This movie probably shouldn’t have made this list for two reasons important
reasons. First, the movie is so-so, but the book is so, so great, the movie
gets to draft behind it into fifth place here. Second, the ending isn’t exactly
happy. To be fair, it’s not exactly unhappy either. But the story is one of the
finest examples of the power of love to overcome all obstacles, even the most
capricious involuntary time travel forced on Henry De Tamble, the friend,
lover, and eventual husband of Clare Abshire, that I have ever experienced. Henry
has been tossed into almost every part of his past and future life by a
tendency for time travel he can’t control. My favorite part is when Clare, who
has met his traveling self before though he doesn’t remember it, tricks him
into taking her virginity.
4. Groundhog Day (Harold
Ramis, 1993.) Not
your classic time travel romance, for sure. The screenwriter plays with time,
and, in this case, that’s even better. Phil Connors is a Pittsburgh weatherman.
His worst assignment ever turns into a never-ending loop of small town inanity.
But does Phil let that get him down? Well, at first, yes. He seduces women,
gets drunk, gets arrested, and even dies trying to free himself from the hell
he’s stuck in. But he always wakes up at the start of the same awful day—and
what’s worse, nothing he does gets him any closer to his producer, the
beautiful and smart Rita Hanson, who hates her self-centered co-worker. It
isn’t until Phil gives up trying to use his special circumstances in selfish
ways and instead commits himself to becoming a better person, He learns to play
the piano and speak French, and he even saves lives. And for his hard
work—Harold Ramis estimated that Phil lived through enough Groundhog days to
make up ten calendar years—Phil is finally rewarded with Rita’s love. A better
version of desire for a good woman making a bad man worthy has never been
written.
3. About Time (Richard
Curtis, 2013.)
Another time Spirograph, and this one hits all my time buttons. It’s funny,
sweet, veers into heartbreaking, and then just as quickly gives us the happy
ending we’ve been waiting for. And it’s populated with some of my favorite
British Isle actors—Domhnall Gleason, Bill Nighy, and Tom Hollander. Gangly,
sweet Tim Lake (Domhnall Gleason) is an attorney who is told by his father on
his twenty-first birthday that all men in their family line can time travel
back in time to an earlier point in their lives whenever they’d like. Tim uses
his new-found talent to fix problems for his friends and to set himself up with
a beautiful American woman (Rachel McAdams). Eventually, he discovers what his
father did with his own time travel abilities—pack a box of Kleenex. But in the
end, Tim realizes that living life as well as one can in each day one is given,
rather than savoring it again by living it over, is the best way to appreciate
it.
2. The Adjustment Bureau
(George Nolfi, 2011.) David
Norris is meant for good things. He’s running for the senate but falls in love
with Elise, a beautiful, vivacious dancer. The mysterious people who plot out
our lives—the Adjustment Bureau—can’t have David derailed from his intended
career path. They move Elise out of his reach. But David catches on to the
game, and begins to try to outmaneuver them in order to find her again. But
when the men from the Adjustment Bureau tell him Elise is meant for better
things too—things she’ll never achieve if she stays with David, he has to
decide if love rules our lives or fate.
1. 13 Going on 30 (Gary
Winick, 2004.) A
dark horse for #1, I’ll admit it, but I can't pass up the story of 13-year-old
Jenna Rink, played by Jennifer Garner, who is transported into her future and
discovers a great job and a closet full of shoes isn't enough to make up for
losing Matt, the boy who was her best friend. The über-fun acted-out dance
numbers from "Thriller" and "Love is a Battlefield" made
this 80s gal's squeal with delight. I cry every time grown-up Jenna tracks down
grown-up Matt, the one person she knows she can trust with her story, and he
says, “Jenna, we’re not friends anymore.” The movie makes us ask ourselves,
“What do we lose when we take the people closest to us for granted?”
Fortunately, the answer for Jenna is not Matt, at least not forever. Happy
sigh.
In Every Time with a Highlander, Michael Kent
is the handsome, talented director of Britain's national theater who longs to
leave the self-centered actors and imperious patrons behind, and be sipping a
dry Rioja on a beach somewhere in Spain. Unfortunately for him, Undine, a fiery
fortune teller, spellcaster, and spy in eighteenth century Scotland, has a
different plan for him, a fact he discovers when her spell pulls him right out
of a production of Romeo and Juliet, where he's filling in for a sick
Friar Laurance. Undine is trying to undermine the battle plans of the violent
head of England's northern armies--a man who also happens to be her fiancé. She
needs a partner who's a versatile actor. And the first role the man must play
is a priest who will stop her fiance's plan to marry her as soon as possible.
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About the author:
Gwyn
Cready is a writer of contemporary,
Scottish, and time travel romance. She’s been called “the master of time travel
romance” and is the winner of the RITA Award, the most prestigious award given
in romance writing. She has been profiled in Real Simple and USA Today, among
others. Before becoming a novelist, she spent 25 years in brand management. She
has two grown children and lives with her husband on a hill overlooking the
magical kingdom of Pittsburgh.
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Giveaway:
5
print copies of Just in Time for a Highlander
I am reading Bullseye by James Patterson. Thanks for this chance.
ReplyDeleteI always have more than one book going. :) I'm reading Dragon Knight's Shield (Order of the Dragon Knights Book 4) by Mary Morgan. And, I'm listening to Forevermore (Darkest London) by Kristen Callihan.
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